Boulevard Magazine – Photoshoot

So happy to have had the opportunity to work with @liacrowe @arnoldlimvisuals and Boulevard Magazine. Very excited to see the rest of the photos that were taken!

Boulevard Magazine's photo.

Boulevard Magazine with Babak’s Oriental Carpets and 2 others.

‪#‎Boulevardphotoshoot‬. It’s easy to be inspired when surrounded by such beautiful textures, colour and intricate patterns! Photographer @arnoldlimvisuals and creative @liacrowe chatting with @babaksorientalcarpets ‪#‎yyj‬ Here’s a link to the article that we were featured in!


Persian Symbols:

Below is just a sampling. To see more Persian symbols please view our Facebook album by clicking here.


A circular arrangement of motifs radiating out from the centre medallion suggesting the petals of a rose. The Rosette design is often found in Nain rugs.

Rebirth & Immortality,Purity

The lotus was of great significance to many ancient cultures, and in particular to the Eastern religions. From ancestral times, the lotus regularly appears as a symbol of purity, peace, transcendence, enlightenment, rebirth, beauty, and fertility.

The idea of enlightenment is symbolized by the life cycle of the sacred lotus plant because it begins its life humbly in the mud of ponds but soon grows and sends stems and flowers well above the surface of the water (up to 50cm), thus showing the path of spiritual unfoldment.

Signifies Women

Two diamonds attached together represent a man and woman.

This symbol’s meaning dates back to prehistory and is also believed to be the stylized representation of a pregnant woman.

Faith, Fertility, Paradise

Symbolizing flight, freedom and the associated concept of good news brought from far away.

Gateway to Paradise

Is a semicircular niche in the wall of a mosque that indicates the qibla; that is, the direction of the Kaaba in Mecca and hence the direction that Muslims should face when praying.

Dawn of a New Day, Fresh Start, Sexual Prowess

For more on the importance of the chicken in ancient culture you may look here:


Lamp design which appears on the prayer rugs symbolise the divine guidance and the light showing the true path. This also represents the God who is depicted as the light of the Heaven and earth. The lamp is suspended from the summit of the niche.


The butterfly is, for the Eastern understanding, not, as it is for the Western, a symbol of instability and fluttering mind but rather a symbol of the most faithful love, which is oblivious of itself and sacrifices itself.

Power or Victory

More information on the influence of the Lion on Persian culture can be found here:

Water Garden, Fish – Mahi

The Herati design derives its name from the town of Herat, now Afghanistan, which was part of Persia until the last Century. It is composed of a single floral head within a diamond framework flanked by four outwardly curling leaves. It is sometime referred to as the mahi or fish in the pond design.( mahi being the Persian word for fish) because many traditional sources have cited this as its symbolic origin. In Persian mythology the world was supported by four swimming fish.

Afghan Symbols:

Below is just a sampling. To see more Persian symbols please view our Facebook album by clicking here.

Beschir Flower

‘Gul’ is Farsi for flower and is normally used to describe these octagonal, all over or repeated patterns.

Cloud Ribbon

Eli Belinde





Yomud Ayca Flower

‘Gul’ is Farsi for flower and is normally used to describe these octagonal, all over or repeated patterns.

Sekiz Kelle Sagdag


This pattern is made up of repeated daisies interlinked by diamond (often curved) or circular lines.

Kepse Flower

Kufi-Braid Ribbon

Father of Nain Rugs

Habibian – Nain

Fatollah Habibian is known as the “Father of Nain Rugs.” He was born in 1903 in the city of Nain. He knotted his first carpet as a school boy. He left Nain in his teenage years to become an apprentice at a carpet making workshop. He returned to Nain and opened, along with his brother Mohammad, their own workshop in 1920.

Fatollah had always shown a natural gift of carpet making. By the time of opening the shop he had already mastered the skills to create very fine rugs. Fatollah and Mohammad began making very fine rugs, often out of pure silk. His craftsmanship and artistic vision almost singlehandedly shaped the face of Nain carpets as we know them today.

Always incorporating beautiful colours and intricate designs, a Habibian Nain is always an incredible example of exemplary carpet making. Nain carpets are known for their beautiful designs and unique colour palate. The design is, in most cases, made up of an ornate medallion, surrounded by elaborate floral designs. The colours used are almost always ivories, creams, and greys, amongst blues ranging from light (commonplace) to darker hues. The pile of the carpet is usually quite short and silk is often used to highlight the designs. Nains are decorative while still being hard wearing carpets.

Fatollah continued to make carpets well into his eighties, as well as teach the craft to others. He passed the business onto his Grandson, Mamud Reza Habibian. Master Fatollah Habibian passed away in 1995.

Habibian Nains made by the Master Fatollah Habibian have become increasing harder to find as the year go by. They still produce Nain carpets under the Habibian name, the quality is still very good, but they are produced at a much slower rate.

A Habibian carpet is an exceptional example of carpet making in the 2000 century. Their impact is one of noteworthy excellence in design, quality, and craftsmanship.

Nain carpets: